Introducing Literary Criticism: A Graphic Guide (Introducing Graphic Guides)

Introducing Literary Criticism: A Graphic Guide (Introducing Graphic Guides)

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Theory into Practice: An Introduction to Literary Criticism

Theory into Practice: An Introduction to Literary Criticism

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  • Published: Unknown
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Introducing Literary Criticism: A Graphic Guide (Introducing Graphic Guides)

Introducing Literary Criticism: A Graphic Guide (Introducing Graphic Guides)

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The Ancient Critic at Work: Terms and Concepts of Literary Criticism in Greek Scholia

The Ancient Critic at Work: Terms and Concepts of Literary Criticism in Greek Scholia

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Literary Criticism: An Introduction to Theory and Practice (A Second Printing) (5th Edition)

Literary Criticism: An Introduction to Theory and Practice (A Second Printing) (5th Edition)

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Literary Criticism
  • Language: en
  • Pages: 176

Literary Criticism

"It's later than you think! Literary critics, practicing and prospective, had better take a close look at Mark Bauerlein's mordant and humorous 'autopsy.'"--Frederick Crews, editor,

The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism
  • Language: en
  • Pages: 576

The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism

This volume of The Cambridge History of Literary Criticism, first published in 2000, provides a thorough account of the critical tradition emerging with the modernist and avant-garde writers of the early twentieth century (Eliot, Pound, Stein, Yeats), continuing with the New Critics (Richards, Empson, Burke, Winters), and feeding into the influential work of Leavis, Trilling and others who helped form the modern institutions of literary culture. The core period covered is 1910–60, but explicit connections are made with nineteenth-century traditions and there is discussion of the implications of modernism and the New Criticism for our own time, with its inherited formalism, anti-sentimentalism, and astringency of tone. The book provides a companion to the other twentieth-century volumes of The Cambridge History of Literary Criticism, and offers a systematic and stimulating coverage of the development of the key literary-critical movements, with chapters on groups and genres as well as on individual critics.

Jungian Literary Criticism
  • Language: en
  • Pages: 439

Jungian Literary Criticism

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Principles of Literary Criticism
  • Language: en
  • Pages: 296

Principles of Literary Criticism

  • Type: Book
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  • Published: 2003-09-02
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  • Publisher: Routledge

Ivor Armstrong Richards was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot. Principles of Literary Criticism was the text that first established his reputation and pioneered the movement that became known as the 'New Criticism'. Highly controversial when first published, Principles of Literary Criticism remains a work which no one with a serious interest in literature can afford to ignore.

The Cambridge History of Literary Criticism: Volume 3, The Renaissance
  • Language: en
  • Pages: 758

The Cambridge History of Literary Criticism: Volume 3, The Renaissance

This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index.

Ecofeminist Literary Criticism
  • Language: en
  • Pages: 257

Ecofeminist Literary Criticism

Ecofeminism is a practical movement for social change that discerns interconnections among various forms of oppression: the exploitation of nature, the oppression of women, and racism. This anthology explores both how ecofeminism can enrich literary criticism and how literary criticism can contribute to ecofeminist theory and activism.

Literary Criticism
  • Language: en
  • Pages: 272

Literary Criticism

Since the global turn to neoliberalism in the 1970s, movements in literary studies have been diagnostic rather than interventionist: scholars have developed techniques for analyzing culture but have retreated from attempts to transform it. For Joseph North, a genuinely interventionist criticism is a central task facing scholars on the Left today.

Literary Criticism: Plato to Dryden
  • Language: en
  • Pages: 704

Literary Criticism: Plato to Dryden

This anthology of literary criticism is no simple collection of fragments from great critics. It is, in a way, a documentary history of literary taste, or better, a documentary history of the taste of literary critics ... It contains material that is inaccessible in many university libraries and an index which ties together the various selections and gives the book a unity which most anthologies unfortunately lack ..." [Cover].

Textual and Literary Criticism
  • Language: en
  • Pages: 200

Textual and Literary Criticism

  • Type: Book
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  • Published: 1966-01-02
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  • Publisher: CUP Archive

The literary critic tends to think that the textual scholar or bibliographer has not much to say that he would care to hear, so there is a gulf between them.

Literary Criticism, Pope to Croce
  • Language: en
  • Pages: 659

Literary Criticism, Pope to Croce

This volume attempts to represent European theories of poetry from Plato's time to the year 1700. Editor Allan H. Gilbert has selected writers who in their own day spoke for the future rather than the past, and those whose conceptions are of value at present, either in developing our own critical thought or in interpreting the most important literature of their own ages.